JEHANGIR NICHOLSON ART FOUNDATION
"An untitled 1966 canvas by Gaitonde, of grey-scale marks on a blue horizon, is among the few pieces by Mohamedi’s contemporaries curated into this multi-dimensional reflection on the artist’s life and work. The show encompasses archival documents, ephemera, and artworks from across decades, but a sequence of ink on paper compositions from the mid-1960s tracks a seismic shift in her practice." writes Stephanie Bailey of e-flux criticism in her review of Nasreen Mohamedi: The Vastness, Again & Again
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