Film screening of Ram Kumar, Nostalgic Longing
23 Jun 2015

“Filming artists is like shooting a wildlife documentary. You can’t direct them, and there’s no way you can impose retakes. Like animals, artists will only give what they want.” Director Laurent Bregeat in an interview to Racheal Rickard Straus, Times News Network.

In this film Bregeat enters the world of the reclusive and introspective abstractionist Ram Kumar, exploring his life, his philosophy, his views and how they play out in his work.

Duration: 48 min

Directed by Laurent Bregeat

Produced by Lalit Kala Akademi, 2010


Laurent Bregeat

The French filmmaker Laurent Bregeat spent several months stalking great Indian painters -Akbar Padamsee, M F Husain, Ram Kumar and S H Raza. He talked to them about their work and their lives – and as a result we have some really profound insights into the work of these artists. He shot the films with the intention of making archives for future generations. These were part of a series of Living Legends of Indian Contemporary Art that was commissioned by the Lalit Kala Akademi.

Apart from these artist documentaries, he is an assistant and director, known for ‘The Da Vince Code’ (2006), ‘A View to Kill’ (1985) and ‘The Messenger’ (1999).

He lives and works in Paris.


Ram Kumar

Ram Kumar was born in 1924 in Shimla, Himachal Pradesh. While pursuing a M.A. in Economics from St. Stephen’s College, Delhi, he chanced upon an art exhibition in 1945.  “I saw paintings like that for the first time and it made me so intrigued that I returned several times”.

Ram Kumar took classes at the Sharda Ukil School of Art under Sailoz Mukherjee and gave up employment at a bank in 1948 to pursue art.  Sailoz Mukherjee introduced him to still life painting with live models. While a student there, he met Raza at an exhibition.  Raza and Ram became good friends.  He convinced his father to pay for a one-way ticket to Paris and studied further there under Andre Lhote and Fernand Léger.

Ram Kumar has been one of the first Indian artists to give up figurativism for abstract art. He was associated with the Progressive artist’s group along with Husain, Raza, Ara, Souza amongst others.

He has participated in various exhibitions in and out of India, including the 1958 Venice Biennale and the Festival of India shows in the then USSR and Japan in 1987 and 1988. One of Ram Kumar’s latest solo exhibitions was in 2008 in Delhi. Ram Kumar also writes in Hindi and eight collections of his works have been published, as well as two novels and a travelogue.

The human condition is the main concern of the painter manifested in his early works by the alienated individual within the city. Later the city, specifically Varanasi with its dilapidated, crammed houses, conveys a sense of hopelessness. Increasingly abstract works done in sweeping strokes of paint evoke both exultation of natural spaces and more recently an incipient violence within human habitation.

Ram Kumar received the Padma Shri in 1972 and the Padma Bhushan, India’s third highest civilian honour in 2010. He passed away in 2018.

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